![]() In this article fxguide explores ILM’s new challenges on the Michael Bay film, from ramping up on robot facial animation, to the new KSI-bot ‘hypno-transformations’, to creating the dinobots, crafting the enormous effects simulations as Hong Kong is ripped apart and building vast spaceship interiors.įor more on Age of Extinction, check out our in-depth fxpodcast with ILM’s Scott Farrar and Pat Tubach. Our work is about 90 minutes worth of the movie.” ![]() It was IMAX and 3D so you’re rendering twice as much at least. It was the largest crew I’ve ever had – 500 people. ILM visual effects supervisor Scott Farrar describes the show as the “heaviest data wrangling picture I’ve ever done, the largest in ILM’s history. With three Transformers films already under visual effects studio Industrial Light & Magic’s belt, Age of Extinction still managed to be eclipse them all in terms of effects shots, shooting locations, crew size, stereo delivery and sheer scale.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |